31 Days of Halloween: Beacon of Isolation

The Lighthouse (2019)
******** (8 out of 10 stars)
Starring: Willem Dafoe and Robert Pattinson.
“Why’d ya spill yer beans?” (Thomas Wake)

From the moment “The Lighthouse” starts, you’re hit with the raw power of the sea and the isolating presence of a lonely island, all captured in stark black-and-white. Initially, I was skeptical about how this artsy film would hold my attention, but director Robert Eggers pulls you in with a unique blend of madness and isolation that defies typical storytelling.

The plot centers on two lighthouse keepers, Thomas Wake and Ephraim Winslow, whose relationship spirals into chaos. Dafoe and Pattinson give it their all, and their performances are both intense and believable, making the tension between them almost tangible. The cinematography is a standout, with the black-and-white palette contributing to the film’s eerie, old-world feel.

Sure, the film’s narrative isn’t straightforward. It’s dense and demands you to think and unravel the madness yourself, which might not be everyone’s cup of tea if you’re after a straightforward story. The pacing mirrors their psychological breakdown, which can be a bit slow for those used to faster films. Yet, that’s where its real trick lies—making you feel the weight of their descent.

Eggers nails the atmosphere with a chilling sound design and tight shots that make you feel as trapped as the characters. The dialogue is sharp, pulling you deeper into the mythological themes that run through the movie. Despite my initial doubts, I found myself appreciating the craftsmanship and the raw emotion it evokes.

In the end, “The Lighthouse” is a striking dive into what isolation and obsession can do to a man. It’s a testament to Eggers’ skill, reminding us of the power of film to leave a lasting impression, especially if you’re willing to embrace its unique style.